![]() "They would go to the studio together and my mother would cook for them all when they came back - they affectionately called her boudi." Keener still was their appetite for success, the desire to bring new types of stories and new social consciousness to Hindi films. "Nothing affected their friendship," Bimal Roy's daughter Aparajita Roy Sinha told me. they stay in a house not far from the Bombay Talkies studio in Malad, a small, close-knit group of friends trying to establish themselves in a relatively unfamiliar world, on their way to creating (as Dilip Kumar once put it) a mini-Bengal in Bombay. In a city where India's biggest film industry is swelling by the year. Among them are the writer Nabendu Ghosh, assistant director Asit Sen, dialogue writer Pal Mahendra, actor Nazir Hussain, and the 27-year-old Hrishikesh Mukherjee, who had worked as Roy's editor at New Theatres for five years. ![]() HOUSE THAT! ( Clockwise from above) Hrishikesh Mukherjee (right) with Dharmendra and David Farooque Shaikh and Deepti Naval, who shot for a film in Mukherjee's houseįlashback to 1950: a group of young men have just moved from Calcutta to Bombay with the filmmaker Bimal Roy.
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